Jesus Christ, Peter Gabriel

Peter Gabriel Passion New Age Grammy

The New Age Grammy enters the 90s. Peter Gabriel is a worthy winner. But a new age hyperstar is waiting in the wings…

Peter Gabriel’s Passion is a landmark album. It was the first album ever released on his Real World label. That means it was the first CD to have that lovely earthy rainbow spine. It was the moment WOMAD became an institution, rather than a financial disaster that could only be rescued by the power of prog. And it was very likely the first time many in the west were exposed to the music of Nusrat Fateh Ali Khan, Youssou N’Dour, and Baaba Maal.

It also marked the first time the Grammy Award for Best New Age Recording was won by a superstar – and I don’t mean Jesus Christ.

Peter Gabriel isn’t cool now, and he wasn’t cool then. He was and is the exact opposite of cool, and that’s what makes him so wonderful. But though he wasn’t cool in 1989, he was certainly respected. This was three years after So, which went triple platinum in the UK and five times platinum in the US. It was the same year In Your Eyes achieved immortality when it was blasted from a stereo held aloft by John Cusack in Cameron Crowe’s Say Anything. And the album in question was the soundtrack to a Scorsese film about Jesus.

No question about it, Passion was an Important Album by An Artist of Note. And it won the New Age Grammy! In previous years, the award went to an eccentric harpist, a jazz veteran and a “chamber jazz” band. In 1990, it was won by an artist everyone knew, and millions loved. Did this legitamise the award, and the genre? Is this the year new age went mainstream?

If the creation of this award was a year zero for new age music, then 1990 was the year the genre came of age. If the term “new age” ever meant anything other than candles, dolphins, crystals and incense, after 1990 it could never mean anything else.

But was the album that forever cemented the idea of new age music any good? Let’s find out!

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Shadowfax’s Gentle Canter

Shadowfax - Folk Songs for a Nuclear Village

Middle Earth or Middle Age?

Poor Windham Hill Records. When the Grammy Award for Best Folk Recording was first introduced in 1987, I imagine they started clearing space on the mantelpiece. It must have felt like this new award was created just for them! After all, they were the multi-million selling new age label that may have been responsible for getting the academy to create the new category in the first place.

But despite having two separate label compilations nominated in the first awards, Windham Hill took nothing home. They had a number of horses in the race for the award’s second year, too. Alas, once more, no Grammy for Windham Hill.

Windham Hill missed out on a Grammy at the 1989 awards, too. That year, they didn’t stand a chance: Not a single release from their roster got a nomination. And to add insult to injury? The album that did win, Shadowfax’s Folksongs for a Nuclear Village, was the band’s first album not to be released on Windham Hill!

That must have stung. Many an empty beer can must have been thrown at the TV screen in the Windham Hill office when the 1989 New Age Grammy award winners were revealed.

But what of the album? Was it a worthy winner, or were Windham Hill justified in their (totally imagined by me) contempt?

Let’s find out!

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