My New Age Mission Statement

New Age Enya

I have 59.2 hours of New Age music in my library.

All the usual suspects are there. Enya. Laraaji. Iasos. Constance Demby. I’ve got a lot of more obscure stuff too, plus a few compilations. Among those is Light in the Attic’s astounding I Am The Center collection, which I hold responsible for getting me into this New Age thing in the first place.

Some of this music is self-consciously New Age music – as in, the artist themselves said “this is New Age music!” Some of it is music that I myself have labelled as New Age. You might disagree with some of my labelling.

Some of this music was specifically recorded to aid meditation or to soundtrack rituals. I’ve got some excellent recordings of Tibetan singing bowls, for example. Some of this music was created for specific occasions or spaces. But some of it is simply ambient music with a worldly, spiritual or “ethnic” feel to it.

And yet, it all sounds like New Age music to me. But what makes New Age music New Age? What separates New Age music from, say, ambient music? Or “world music”? What sets it apart as a genre in itself?

It’s not just that it’s blissfully naff. So what else could it be?

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We’re Very Lucky to Have Muse

Muse Love 1

Love is our resistance!

Tom Morello riffs, Primus rhythms, operatic cabaret vocals and the sort of subject matter otherwise found in the pages of Fortean Times, and the darkest corners of YouTube.

Muse were always destined to be a cult band. It probably surprised them more than anyone that this cult would grow to include literally millions of acolytes.

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