A Good Reason to Write About Music

I’ve never got along with music critics.

I read about music a lot. I’m sure most music critics are wonderful people in real life. I’m sure they’re polite to retail workers, and that they’re patient and conscientious drivers, and that they’re silent and respectful of their fellow passengers when using public transport.

But in my experience, in their writing many music critics come across as miserable hand-wringers at best, or smug, self-righteous and self-serving sadists at worst. And no matter where they sit on this tedious spectrum, most music critics seem driven not by a desperate, obsessive love of music, but by an inexplicable desire to drain all the joy from the most vital, universal, and transcendent of artforms.

And yet, I often write about music. I’d do it more often if I had the time. How do I sleep at night?

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Neck Deep at ATP

All Tomorrow’s Parties (ATP) was a series of festivals held between 1999 and 2016.

These festivals were remarkable for a number of reasons. First, their lineups were almost entirely hand-picked by a guest curator, who was usually a musician. Second, many of the festivals took place in the most refined environments possible – Butlin’s holiday camps! Yes, this means that for one glorious evening it was possible to see Patti Smith play on a stage usually used for knobbly knees contests.

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